At the intersection of metaphysics and social theory, this book presents and examines Adorno's unusual concept of possibility and aims to answer how we are to articulate the possibility of a redeemed life without lapsing into a vague and naive utopianism.
The first biography of Scottish watercolourist W. Alister Macdonald (1861-1956), regarded as a ‘Tahitian Turner’ (Bunster 1956), reveals romance, tragedy, escapism and a long-overdue reappraisal of his European and Polynesian work.
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers.