This book traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher'. It compares Coleridge's figurations of poetic inspiration with models in the Platonic dialogues.
This book investigates how Laurence Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction. It reveals that Shandean humour is a Grenzganger—a point of commerce between English and German literature and philosophy.