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Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.
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Considers the development of the pastoral in sixteenth-century Venice as an urban phenomenon specific to the lagoon. Studies Venetian urban gardens as actual places, imaginary spaces, and fantasies of urban planning challenged by ecological concerns.
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