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This book argues that the way the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel, a view that had been largely ignored in most accounts of the development of the novel.
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Beginning with the premise that the portrait was undergoing a shift in meaning during the Romantic age, Joe Bray investigates how the language of portraiture pervades the fiction of writers such as Maria Edgeworth, Jane Austen and Sir Walter Scott.
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Joe Bray’s careful analysis of Jane Austen’s stylistic techniques reveals that the genius of her writing is far from effortless; Subsequent chapters investigate and challenge... Læs mere