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Explores the two opposing groups that found themselves as strange bedfellows upon the release of Sufjan Stevens’ seventh studio album, Carrie & Lowell,: the LGBTQIA+ community and American evangelical Christians, united in praise for Stevens’ beautifully melancholic music.
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Identifies the parallels and resonances between Christopher Nolan’s cinema and the works of philosopher Paul Ricoeur and theologian St. Augustine to demonstrate how Nolan’s films are truly doing theology and philosophy through the medium of film.