In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism in British cinema.
In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism in British cinema.
This is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form with a subsequent critique of subjective form, and reassesses the close ties of the aesthetic and the political right up to today.
This is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of... Læs mere