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Taking a fresh look at the horror genre from 1931 to 1936, this critical study examines “happy ending” horror in relation to industry... Læs mere
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Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the... Læs mere
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Arguably, excess is at the heart of Dawn of the Dead, integral to its meaning: not only in its scenes of gore, its in-your-face social satire and its gaudy pop-kitsch style but in the production history of the film itself.