From Chinatown to Night Moves, how key "seventies" films important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.
Shows that bankers dread war - an aversion rooted in pragmatism, not idealism. This book also shows that, when faced with the prospect of war or international political crisis, national financial communities favor caution and demonstrate a marked aversion to war.
Examines how states can and have used international currency relationships and arrangements as instruments of coercive power... Læs mere
From Chinatown to Night Moves, how key "seventies" films important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.