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Demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to... Læs mere
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In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem "lifelike" or "realistic".
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In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem "lifelike" or "realistic".