This book investigates what happens to criminal evidence after the conclusion of legal proceedings. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts; often arousing the interest of journalists, scholars, curators, writers or artists.
This interdisciplinary study of crime analyzes the legal use of photographs from surveillance cameras in order to unfold a compelling narrative about race relations, national identity and fear.
This interdisciplinary study of crime analyzes the legal use of photographs from surveillance cameras in order to unfold a compelling narrative about race relations, national identity and fear.
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts; often arousing the interest of journalists, scholars, curators, writers or artists.