This book is the first of its kind to bring basic notions of contemporary physics to bear on African cine-scapes.
This book traces the developments in African films that were made from the 1990s to the present within the evolving frame of what came to be called ‘World Cinema’ and, eventually, ‘Global Cinema.’
This book is the first of its kind to bring basic notions of contemporary physics to bear on African cine-scapes.