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Charles Mingus is one of the most important - and most mythologized-composers and performers in jazz history. Classically trained and of mixed race, he was an outspoken innovator as well as a bandleader, composer, producer, and record-label owner. This book tells his story.
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Arguing that jazz films create images of racial and sexual identity, many of which have become inseparable from popular notions of the music itself, this study explores the fundamental obsessions that American culture has brought to jazz in the cinema.