The 50th anniversary edition of the first major work of feminist art history, published together with the author’s reflections three decades on.
Beginning with the painterly preoccupation with the trope of the bathing nude, Linda Nochlin tracks the subtle permutations of beauty, femininity, and the nude body, from impressionism to postmodernism.
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
Seven landmark essays on women artists and women in art history brings together the work of almost twenty years of scholarship and speculation.