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An analysis of three generations of women in a Chinese silk factory, this study is a critique of the meaning of modernity in a postmodern age. The text compares the lives of three generations of women workers.
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Argues that the creation of such "desiring subjects" is at the core of China's contingent, piece-by-piece reconfiguration of its relationship to a post-socialist, neo-liberal-dominated world.
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This collaborative ethnography of Italian-Chinese fashion ventures offers a new methodology for understanding transnational capitalism in a global era.