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Med Mødernes Hus har Martin Amis skrevet en både grusom, tankevækkende og vedkommende historie om kærlighed og kynisme i Stalins Gulaglejre i Sovjetunionen. Romanens anonyme fortæller,... Læs mere
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'A true story, a murder story, a love story and a thriller bursting with humour, sex and often dazzling language' Independent
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Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and... Læs mere
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Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition. While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry’s atrocious attempts at novels have brought him untold success.
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Detective Hoolihan, a policewoman, a police in cop parlance, begins to investigate the death of Jennifer. The evidence swings towards suicide - the gun in her hand, the suicide note, the... Læs mere
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Like John Updike, Martin Amis is the pre-eminent novelist-critic of his generation. Naipaul, Kurt Vonnegut, Iris Murdoch, Norman Mailer, Gore Vidal, Don DeLillo, Elmore Leonard, Michael Crichton, Thomas Harris - and John Updike.
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Amidst the horrors of Auschwitz, German officer, Angelus Thomsen, has found love. As Thomsen and Doll’s wife pursue their passion – the gears of Nazi Germany’s Final Solution grinding around them – Doll is riven by suspicion.
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Keith Nearing - a bookish twenty-year-old, in that much disputed territory between five foot six and five foot seven - is on holiday and struggling to twist the seventies’s emerging feminism towards his own ends.
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Gregory leads an existence of formidable foppishness, his days and nights a series of effortless, titillating conquests. His foster brother, Terry, has to make do with the leavings as he trawls... Læs mere
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The stories in this collection form a unity and reveal a deep preoccupation: '"Einstein's Monsters" refers to nuclear weapons but also to ourselves,' writes Amis in his enlightening introductory essay, 'We are Einstein's monsters: not fully human, not for now.'