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Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili—a pantheon of lwa feminine spirits in Vodou—in ways that offer a new model of queer black feminist theory.
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This exploration of the poetry and prose of Caribbean women writers reveals in their imagery a rich tradition of erotic relations between women.
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In this enthralling, empowering “mixtape” memoir, a visionary feminist scholar retraces her personal journey while reflecting on the painful legacies and exhilarating liberations that permeate Beyoncé’s game-changing Lemonade album.
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A celebration of the distinctive and politically defiant art of Black queer, cis-, and transfemmes, from the work of Janelle Monáe and Janet Mock to that of Indya Moore and Kelsey Lu.