With a strong interest in the performance of ancient Greek tragedy, Graham Ley’s short text explores the dynamics of physical interaction between performers and of the dramaturgical construction of scenes.
This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time.
From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day.