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Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James's landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.
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Franketienne and Rewriting offers an overview the defining aesthetic and thematic components of Franketienne's major works, particularly on the relation between his central aesthetic of the Spiral and the practice of rewriting that is prevalent in Caribbean literature. Situati...