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Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical... Læs mere
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Visual texts demonstrate the contested terms of American identity. This book offers an account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like - or 'should' look like.
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Shawn Michelle Smith examines how the advent of photography revolutionized perception, making what was once invisible visible, while also revealing the limitations of what can be seen.