Forfatter fødeår: 1949
This is a passionate exploration of opera and the nature of death. Using a dazzling array of tools, Zizek and Dolar explore the compulsions that overpower characters in Mozart and Wagner, and examine our own desires for opera and death.
The title by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of an inquiry into the realms of radical politics, philosophy, film and psychoanalysis.
In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom.