Forfatter fødeår: 1949
The title by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of an inquiry into the realms of radical politics, philosophy, film and psychoanalysis.
In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom.
This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
Slavoj Zizek, dubbed by the Village Voice "the giant of Ljubljana", is back with a new edition of his seriously entertaining book on film, psychoanalysis (and life).
In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in judaïsme en christendom.
A spectre is haunting Western thought, the specter of the Cartesian subject. This book unearths a subversive core to this elusive spectre.
A fascinating exchange between the punk-philosopher and the philosopher-punk
An analysis of the roles of pleasure and desire in contemporary politics.
Zizek's philosophical masterwork, now out in paperback
Probing beneath the level of TV punditry, i ek offers a highly original and readable account that serves as a fascinating and insightful comprehension of the events of September 11.