Explores a diverse range of films including Guitry's "Napoleon" (1955), Vernay's "Le Comte de Monte Cristo" (1953), and Le Chanois' "Les Miserables" (1958) to expose the political cultural paradox between nostalgia for a lost past and the drive for modernization.
Luc Besson is considered one of the hottest international properties to emerge from the new wave of French film directors in the 1980s. This is a study of Besson's film-making career to date, placing the films within their socio-historical and political context.
"Les Diaboliques" was a top grossing film in 1955. The author sets "Les Diaboliques" against the political culture of its time, and demonstrates the importance of... Læs mere