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Using the Regenerative economic model - also known as Doughnut Economics - Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary, approach to both film theory and film practice.
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Explores a diverse range of films including Guitry's "Napoleon" (1955), Vernay's "Le Comte de Monte Cristo" (1953), and Le Chanois' "Les Miserables" (1958) to expose the political cultural paradox between nostalgia for a lost past and the drive for modernization.
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Luc Besson is considered one of the hottest international properties to emerge from the new wave of French film directors in the 1980s. This is a study of Besson's film-making career to date, placing the films within their socio-historical and political context.
Bemærk: Kan ikke leveres før jul.
Using the Regenerative economic model - also known as Doughnut Economics - Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary, approach to both film theory and film practice.
Bemærk: Kan ikke leveres før jul.
"Les Diaboliques" was a top grossing film in 1955. The author sets "Les Diaboliques" against the political culture of its time, and demonstrates the importance of... Læs mere