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Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the... Læs mere
Bemærk: Kan ikke leveres før jul.
The behind-the-scenes story of Hollywood’s struggle with Nazism before the outbreak of war.
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From 1934 to 1954 Joseph I Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. This title tells the story of Breen's ascent to power and the widespread effects of his reign.
Bemærk: Kan ikke leveres før jul.
Bemærk: Kan leveres før jul.
Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction of the child of Charles and Anne Lindbergh and its aftermath. He traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.”
Bemærk: Kan ikke leveres før jul.
In this lively cultural history, Doherty demonstrates that wartime Hollywood was not a rigidly controlled propaganda machine, as is often assumed, but an ad-hoc collaborative effort between the government and film industry.
Bemærk: Kan ikke leveres før jul.
Thomas Doherty tells the story of the 1947 hearings into alleged Communist subversion in the movie industry. Show Trial is a character-driven... Læs mere
Bemærk: Kan ikke leveres før jul.
Originally published: Madison, Wis.: Spenser-Hoyt, c2007.
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This book explores the four-year interval between 1930 and 1934, a time when censorship was lax and Hollywood made the most of it. Doherty chronicles how the freewheeling films of an unrestricted Hollywood inform the culture of America in the 1930s.
Bemærk: Kan ikke leveres før jul.
The behind-the-scenes story of Hollywood’s struggle with Nazism before the outbreak of war.
Bemærk: Kan ikke leveres før jul.
Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the... Læs mere
Bemærk: Kan leveres før jul.
Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction of the child of Charles and Anne Lindbergh and its aftermath. He traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.”