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Examines the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the appropriation of Portuguese-Christian art within the colonies, this book looks at how these and other objects could be staged to generate layers of meaning.
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The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents.