In this study, Vera Dika explores works of art and film that resist the pull of the past. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
In this study, Vera Dika explores works of art and film that resist the pull of the past. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
This is a historical and structural study of the Stalker Film. As a subcategory of the more general Slasher Film, the Stalker Film is often characterised by an off-screen presence that dominates the visual field, and by a recuring combination of character and plot functions.