An examination of Pierre Huyghe's post-apocalyptic Untitled (Human Mask), which asks whether our human future may be one of remnants and mimicry.
An illustrated study that casts a new light on Oiticica's most important work of "quasi-cinema" on its fortieth anniversary.
Drawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion.
SpringSummer 2019 Issue 51.
An illustrated examination of Philip Guston's comic and complex painting The Studio.