Shows how new forms of desire, pleasure, anxiety and curiosity emerged as capitalist reforms advanced in post-Maoist China.
Trekking across the technoscapes and the dreamscapes of nanotechnology, the author elaborates a theory of nanovision, demonstrating that nanotechnology has depended throughout its history on a symbiotic relationship with science fiction.
This comprehensive historical study of French films made between 1930 and 1956-before, during, and after the Second World War-homes in on cinematic representations of gender relations.
Maura Finkelstein examines what it means for textile mill workers in Mumbai—who are assumed to not exist—to live during a period of... Læs mere