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Zahra Stardust examines the motivations and interventions of independent porn producers as they navigate criminal laws, risk-averse platforms, discriminatory algorithms, and rampant piracy.
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Christina Cecelia Davidson explores the extraordinary and complicated life and career of H. C. C. Astwood, who was a preacher, politician, and the first Black man named US consul to the Dominican Republic in the nineteenth century.
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Max Ritts traces how sound’s integration into environmental politics Canada’s North Coast have paved the way for massive industrial expansion.
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Focusing on the art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture.
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Kency Cornejo traces the emergence of new artistic strategies for Indigenous feminist resistance in the wake of torture, disappearance, killings, and US-funded civil wars in Central America.
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Clare Croft tracks the entwined innovations and contributions to dance criticism and feminist activism of performer, writer, and activist Jill Johnston.
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Gina Caison traces how American authors and photographers have grappled with soil erosion as a material reality that shapes narratives and their environment and presents a source of anxiety over preserving the settler-colonial state.
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Rivke Jaffe explains how despite Jamaica’s “dons” are associated with crime and violence, they have become figures of political authority and seen as legitimate leaders.
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Tamar R. Shirinian traces the widespread rhetorics of sexual and moral perversion in postsocialist Armenia, showing how they are tied to anxieties about the nation’s survival.
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Forest Lost is an ethnography of forest carbon offsets and the wider effort to make the living rainforest valuable in the Brazilian Amazon.
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Lennard J. Davis critiques literature written by the middle and upper classes that depict the poor through harmful stereotypes and argues that writers who were once poor are best positioned to write about the lived experience of poverty.
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Jennifer Denbow examines how the push toward techno-scientific innovation in contemporary American life comes at the expense of the care work and reproductive labor that is necessary for society to function.