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Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader charts humans' relationship to the ocean, treating it as a dynamic site of history, culture, and politics.
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Eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings.
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Brenda R. Weber examines how the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.
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Prompting a reevaluation of canonical understandings of twentieth century art history, Mapping Modernisms provides an analysis of how indigenous artists and art from Africa, Oceania, and the Americas became recognized as modern.
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In Jezebel Unhinged Tamura Lomax traces the historical and contemporary use of the jezebel trope in the black church and in black... Læs mere
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Amit S. Rai shows how urban South Asians employ low-cost technological workarounds and hacks known as jugaad to solve problems, navigate, and resist India's neoliberal ecologies.
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Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies’ use of the slave past as an explanatory prism for... Læs mere
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Megan H. Glick considers how twentieth-century conversations surrounding nonhuman life have impacted a broad range of attitudes... Læs mere
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Jinah Kim explores Asian and Asian American texts from 1945 to the present that mourn the loss of those killed by U.S. empire... Læs mere
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Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.