Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space.
Jennifer DeClue examines Black feminist avant-garde films from filmmakers including Kara Walker, Tourmaline, and Ja’Tovia Gary that visualize violence suffered by Black women in the United States.
The contributors to The Pandemic Divide analyze and explain the myriad racial disparities that came to the forefront of the COVID-19 pandemic while highlighting what steps could have been taken to mitigate its impact.
The contributors to Turning Archival trace the rise of “the archive” as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge.
Jennifer DeClue examines Black feminist avant-garde films from filmmakers including Kara Walker, Tourmaline, and Ja’Tovia Gary that visualize violence suffered by Black women in the United States.
Hi?ilei Julia Kawehipuaakahaopulani Hobart charts the social history of ice in Hawai?i, showing how ice and refrigeration underpinned settler colonial ideas about race, environment, and the senses.
Vivian L. Huang retheorizes the stereotype of inscrutability as a queer aesthetic strategy within contemporary Asian American cultural life.
Lee Edelman offers a sweeping theorization of queerness as one of the many names for the void around and against which the social order takes shape.
Bettina Stoetzer traces the more-than-human relationships between people, plants, and animals in contemporary Berlin, showing how... Læs mere
Rupal Oza follows the social life of rape in rural northwest India to reveal how rape is a language through which issues ranging from caste to justice to land are contested.
Hi?ilei Julia Kawehipuaakahaopulani Hobart charts the social history of ice in Hawai?i, showing how ice and refrigeration underpinned settler colonial ideas about race, environment, and the senses.
Ain’t But a Few of Us presents over two dozen candid dialogues with Black jazz critics and journalists who discuss the barriers to access for Black jazz critics and how they contend with the world of jazz writing dominated by white men.