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Examines the extraordinary drawings, photographs, casts, and sculptures produced by Dr. Jean-Martin Charcot (1825–1893) and the Salpêtrière School that combine medical knowledge and artistic expression.
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A comprehensive study of Pennsylvania government and politics. Includes commentary from interviews with over sixty individuals who served, participated in, or covered the state’s political system.
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An autobiography of artist Audrey Flack, from her early days as a young woman artist in the midst of the male-dominated Abstract Expressionist movement to the peak of her career as a pioneer of Photorealism.
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Examines the United States Information Agency’s program of photographic diplomacy with Africa, locating photography at the intersection of African decolonization, racial conflict in the United States, and the cultural Cold War.
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Explores the life and career of Rahel Szalit (1888–1942), among the best-known Jewish women artists in Weimar Berlin.
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Explores the transformative shift in nineteenth-century Chinese art, where artists used touch to establish a genuine connection with the past, challenge stagnant artistic norms, and foster deeper human connections.
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An interpretation of architecture and urbanism in seventeenth-century Isfahan, Iran, through the analytical lens of urban experience.
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Examines the emergence and stabilization of the barricade as a symbol of revolution in mid-nineteenth-century France.
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An examination of Leo Strauss’s 1948 notebook and other writings on the Euthyphro, Plato’s dialogue on piety, using close analysis and line-by-line commentary.
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Explores the cultural and religious significance of a series artworks painted onto the walls of the Tunisian city of Qayrawa¯n by women artists in the late nineteenth century.
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Explores the author’s career and evolution as a photographer during the turbulent 1960s, including his experimental photographs of some of the most significant concerts and artists in rock history.
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Investigates the intersecting histories of tattooing, branding, stigmata, baptismal and beauty marks, and the wounds and scars borne by early modern men and women. Examines these forms of dermal marking as manifestations of a powerful and ubiquitous material practice.