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Explores stereotyping and electrotyping in U.S. literature and history. Examines how printers, typefounders, authors, and publishers managed the transition as new technologies displaced printing traditions of the early nineteenth century.
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Argues for the importance of public higher education and the work of teaching and emphasizes the shared ethical responsibilities that underpin the connections between teachers and students.
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Reconstructs Kenneth Burke’s drafting and revision process for A Rhetoric of Motives and The War of Words, placing Burke’s work in historical context and revealing his reliance on the concept of myth.
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Focuses on the ways in which Christianity has become an integral part of Xiamen, a southeastern Chinese city profoundly... Læs mere
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Explores tactics that affirm, support, and even protect those who are the victims of hate speech while fostering democratic deliberation among those committed to combating hate.
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A collection of essays exploring medieval rape culture, survivors’ speech, and female subjectivity in a late medieval lyric genre known as the pastourelle as well as in related literary works.
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Explores the life and work of historian Edward Gibbon, and his complex relationship with Christianity, through an examination of his correspondence, private journals, early works, and unfinished memoirs.
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Reassesses the genre of epideictic rhetoric from antiquity to the Renaissance by looking at a series of texts that exploit the potential of praise to... Læs mere
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Explores the layers of signification that A. B. Yehoshua constructs in his fiction to draw readers into a critical analysis of the condition of Israel as well as his representations of place, vocational identities, names, holidays, and love.
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Explores the creation and circulation of political caricatures in early US history. Includes a catalog of caricature prints published between 1789 and 1828.
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Explores how gender, socioeconomic status, and religious identity shaped the lives and work of Jewish and Christian women in medieval Catalan cities.
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Examines how the subtlety, variety, and inventiveness of American, Asian, and African creations and techniques encountered in the context of sixteenth century Iberian colonization challenged and revolutionized the definitions of what art is and what it means to be human.