This beautifully illustrated book explores the opinions of artists, critics and others involved with arts or crafts, arguing for a theory that considers the different discursive formations and related strategic practices of an art world.
This beautifully illustrated book explores the opinions of artists, critics and others involved with arts or crafts, arguing for a theory that considers the different discursive formations and related strategic practices of an art world.
mso-fareast-language: EN-US;">This book explores what it means—and what it takes—to write ethnographic texts that resonate with both fieldwork and readers. It approaches writing as a form of embodied thinking and encourages conceptual openness and a willingness to experiment.