This beautifully illustrated book explores the opinions of artists, critics and others involved with arts or crafts, arguing for a theory that considers the different discursive formations and related strategic practices of an art world.
mso-fareast-language: EN-US;">This book explores what it means—and what it takes—to write ethnographic texts that resonate with both fieldwork and readers. It approaches writing as a form of embodied thinking and encourages conceptual openness and a willingness to experiment.