Drawing on ethnographic research in postconflict Peru and Colombia, Kimberly Theidon examines the lives of children born of wartime rape and impact of violence on human and more-than-human lives, bodies, and ecologies.
Eleana J. Kim shows how a closer examination of the Demilitarized Zone area in South Korea reveals that the area’s biodiversity is inseparable from scientific practices and geopolitical, capitalist, and ecological dynamics.
The contributors to this volume examine the artistic practice of Consuelo Jimenez Underwood, whose innovative art and urgent engagement with a range of pressing contemporary issues mark her as one of the most vital artists of our time.
Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war.
Attending to the centrality of indigeneity, race, and colonialism in kinship, the contributors to this volume assert the importance of queer kinship to queer and trans theory and to kinship theory.
Marquis Bey meditates on the antagonistic relationship between blackness and cisgender, showing that as a category, cisgender cannot capture how people depart from gender alignment and its coding as white.
James R. Martel juxtaposes anarchism with what he calls archism—a centralized and hierarchical political form based in ancient Greek and Hebrew prophetic traditions—in order to theorize the potential for a radical democratic politics.
Marcus Boon explores music as a material practice of vibration that emerges from a politics of vibration and which constructs a vibrational space of individual and collective transformation.
This revised and updated edition of The Mexico Reader provides an expansive and comprehensive guide to the many varied histories and cultures of Mexico, from pre-Columbian times to the twenty-first century.
Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.