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Examining how creative decision-making is fundamentally tied to our values and modes of thinking in an era of accelerating change and... Læs mere
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This book examines how popular humanitarian communication constructs global poverty as a moral narrative that reinforces unequal power dynamics between the... Læs mere
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This volume provides a critical intervention in celebrity activism and philanthropy by examining the civic imaginaries and mobilisations of Asian celebrities-turned-activists or philanthropists, alongside an array of significations and tensions involved.
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This text offers a compelling historical narrative of the relationship between food, national identity, and... Læs mere
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Shaped by social class, gender, and the economic and cultural possibilities of political decentralization, the study identifies three... Læs mere
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This book demonstrates that these traders’ indispensable but often invisible role in the everyday workings of the China-Laos-Thailand borderland... Læs mere
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This collection of ten essays represents a new and significant contribution to the study of recipe books from the early... Læs mere
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Dante’s Gluttons: Food and Society from the Convivio to the Comedy explores how the medieval Italian poet Dante Alighieri (1265-1321) uses food to express and condition the social, political, and cultural values of his time
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This is the first book-length study to use queer theory to understand Doctor Who. It will be of interest to students and teachers of media theory and fan studies, psychosocial studies, queer theory and history, as well as Doctor Who fans.
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This book documents contemporary practices of pop-up and site specific cinema exhibition in the UK (with a focus on Scotland), tracing their links with historical forms of non-theatrical exhibition such as public hall cinema and fairground bioscopes.
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Comics and cartoons from Japan, or manga and anime, are an increasingly common feature of visual and popular culture around the world. Erotic Comics in Japan: An Introduction to Eromanga is the most comprehensive introduction in English to erotic comics in Japan, or eromanga.
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This book draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies.