Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture, showing how... Læs mere
In thirteen sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.
Drawing on historical and ethnographic research on tuberculosis in India, Bharat Jayram Venkat explores what it means to be cured and what it means for a cure to be partial, temporary, or selectively effective.
Writings on Media collects Stuart Hall's most important work on the media, reaffirming his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.
Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.
Lynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.
Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States’ nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.
Drawing on literature along with the visual and performing arts, Anthony B. Pinn theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay.
Tani Barlow outlines the stakes of what she calls “the event of women” in China—the discovery of the truth that women are the reproductive equivalent of men, revealing how historical universals are effected in places where truth claims are not usually sought.
Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.
Tania Murray Li and Pujo Semedi examine the structure and governance of contemporary palm oil plantations in Indonesia, showing how massive forms of capitalist production and control over the palm oil industry replicate colonial-style relations that undermine citizenship.
Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation.